Does life begin at 40? Is a change as good as a holiday? Is all that glitters not gold? Okay, enough with the cliches - but if you answered "yes" to each of the above, this might be the show for you. If not, you've got an appointment at Melrose Place (yes, you can still catch it on cable). What does a woman have to do to "have it all"? How about a sparkling legal career and the promise of a partnership; a handsome husband; two happy and healthy kids. Whoops! As Joni Mitchell sang, "Just when you're thinking you've finally got it made, bad news comes knocking on your garden gate". Bad news? Son Rupert gets expelled from school; that partnership goes elsewhere; husband Jack is charged with corporate fraud, and unfortunately has taken the family savings with him; and oh, by the way, he's also having an affair with your sister! As it says in the theme song: Don't wanna live in the city, my friends tell me I'm changin', Laura Gibson has wonderful memories of sleepy seaside town Pearl Bay, and so when they advertise a position for a magistrate, well, what the heck, things couldn't get any worse. Except that this charming town has changed a lot since that halcyon holiday a decade ago. It's now a pretty mixed-up place, economically in the doldrums, and in need of a decent coat of paint. And things don't improve when Laura's first day in court sees her predecessor before the bench, not that she's going to get much help from her clerk (a surfie with a confused view of romance) and the police prosecutor who wants to lure him down the aisle. And Laura's not really rid of husband Jack, who makes an unexpected return (breaking his bail). His lover (yes, Laura's sister) will similarly visit to create havoc, to the extent that we believe she is bearing his child (turns out not to be true). All this is grist for the gossip mill in Pearl Bay - no, it's not a malicious place, but a little bit of gossip goes a long way in this sleepy seaside town. Laura You can hardly blame Laura for feeling lost as a "single". She couldn't even get the now departed Diver Dan to take her to the annual Magistrates' Dinner-Dance - to avoid this chore he gets himself arrested for unpaid fines! But Laura has clearly become attached to the strange ways of Pearl Bay (maybe it's all that tantric energy Carmen goes on about). When it looked like the courthouse was going to be closed, the whole town embarked on a criminal spree to keep Her Worship busy! She was even offered a job at her old law firm, but when the town turned up to give her a huge welcome back, we knew she's well and truly hooked. And you can't help but like a person who knows all the lyrics to "Eagle Rock". Max Connor Diver Dan He doesn't give much away, our Dan, but there is a wisdom not too far beneath the surface. He runs a ferry and boat hire business/café on the pier, Diver Dan's Café, where the service is inadequate but the ambience is perfect for that quiet moment away from the hurly burly. And he's a deft hand with a gourmet dish, which he whips up occasionally at the Tropical Star. He also knows a thing or two about tides, the effects of meteorites on sea mullets, various weather forecasting matters and the perfect cup of coffee. And when Rupert needs some guidance, he dons the gloves and gives him a few pointers about the manly art of boxing - typically, it is a disaster. Dan wanted Laura to follow him to the Galapagos Islands. But how could she leave her children, and there's no doubt she had become enamoured with Pearl Bay. So Dan sailed off into the sunset. Miranda & Rupert Like his sister, Rupert is bright, but he's missing the father figure in his life since the move to Pearl Bay. But the anarchic seaside town may also allow him to blossom and find his feet. Nevertheless both children have become attached to the strange ways of Pearl Bay - when it looked like they would have to move back to the city they were clearly despondent. Carmen Bob Jelly Heather Jelly Sergeant Grey & Constable Karen Miller Angus Kabiri Kevin Harrington Phrani Sigrid Thornton is Laura William McInnes is Max Connor David Wenham is Diver Dan Bruce Alexander is Sergeant Grey John Howard is Bob Jelly Kerry Armstrong is Heather Jelly Alice Garner is Carmen Andrew Knight Deborah Cox Richard Pleasance The news after the first series was that David Wenham, the spectacularly popular Diver Dan, was leaving Pearl Bay for greener telepastures. And he was being replaced by a bloke from "Blue Heelers", David McInnes, who is clearly going to shoulder a fair amount of viewer antagonism and perhaps resentment at the hands of Diver Dan's vast fan club. On the evidence of "Blue Heelers", McInnes is a lot more 'blokey' than the enigmatic and sensitive Wenham, but of course, he is an actor - presumably he'll play the part that's written for him. Pearl Bay is really Barwon Heads in Victoria, south of the capital Melbourne. Apparently there has been a local move afoot to change its name to it's fictional non de plume. It can be found on the Bellarine Peninsula not too far from Melbourne - look for local delicacies like Diver Dan's Licorice and SeaChange cappuccinos. What is a sea change? "Of his bones are coral made/Those are pearls that were his eyes/Nothing of him that doth fade/But doth suffer a sea change" (Shakespeare's "Tempest"). In its first series, SeaChange achieved that Valhalla of Australian television, knocking off "Sixty Minutes" from its Sunday night perch, continuing the ABC's strong showing on this night. In fact it was the most successful ABC local series since 1991's Brides of Christ. Please don't accuse us of sexism, but you can't ignore the effect of Diver Dan on female viewers. Check out the country-wide cries of anguish at the news that he would not be returning to the boatshed. It is a hazard of character based shows - what do you do when a loved character leaves? Some handle it better than others, check out what we had to say about the departures from "NYPD Blue" of two major stars. Luckily for SeaChange viewers Max Connors has built his own following and expunged the ghost of Diver Dan. This show isn't really about the law, not in the way that "The Practice" and its ilk turn on legal issues, but it certainly provides a moral context for the drama, and let's be honest, a rich source of humour. As anyone who has worked in a Magistrates' or Local Court well knows, the laughs are never far from the action in these grass-roots jurisdictions. The first time this reviewer appeared in a Magistrates' Court, one of the defendants had been nabbed by the police when a safe he had stolen bounced off the back of his ute and landed on the bonnet of a police car travelling in the opposite direction! Country Magistrates' Courts present their own complications, particularly where the locals know each other and the legal niceties tend to stay buried in textbooks. Laura learns about this the hard way - you can't simply make a legal ruling in Pearl Bay, especially when it might mean a prison sentence for a loved member of the community, or the incompetent local lawyer (and former Magistrate) botches a defence. There is a hierarchy of courts in each Australian State. Some deal with particular issues, for instance, the Family Court looks after issues around divorce and the welfare of children. Some courts are federal, again the Family Court would be an example of this, and they deal with laws that have been passed by the Federal Parliament. Most court cases are heard in Magistrates' Courts and Local Courts (different names for the same types of jurisdictions). They deal with both criminal and civil cases - a criminal case deals with breaches of the criminal law and is brought to the court by the police, e.g. most traffic offences, burglaries etc. They also deal with smaller civil offences - a civil case is brought before the court by an individual and usually involves a claim for money, e.g. a debt that is owed for work done by a tradesperson, or a barney between neighbours about a fence. These courts can only hear civil claims that are under a certain level of money, usually around $40,000. This is the sort of show where an Armani suit can be owned by a syndicate and shared by its members, all trying to impress the same woman. More particularly, it is the journey of a woman, the archetypal contemporary trek from the valley of perfect materialism (Laura's got it all) to the hidden treasures of adversity and absurdity. Laura is not our classic hero, battling problems like Supergirl; instead, and happily, she is very flawed and touchingly real, believing, heavens knows why, that Pearl Bay is the place to begin the second half of her life. And like Eva Gabor in "Green Acres" (yes, the theme is tried and true), she's a bit haughty but prepared to muck in. As Deb Cox says, this is a show about a dysfunctional family in a dysfunctional town. But dysfunction has its own rewards if we are prepared to investigate our entanglements, and so it is with Pearl Bay, a town that insinuates its way into our hearts as it similarly inveigles Laura into a lifestyle she never dreamed of in the glass and chrome legal towers of her former life. And in Pearl Bay there are plenty of pearls of wisdom. There is much about this show that is admirable. It's not reliant on crime, doctors or that other Aussie television staple, the "bush". SeaChange is full of fancy, and although it is imbued with genuinely Australian idiosyncrasies, it would be just as successful in any English speaking country. It is a welcome antidote to the furious pace of "ER" and the cutesy of "Ally McBeal". Perhaps its vast attraction lies in its unabashed appeal to the longing so many of us have for an escape from the urban madness. We want to relate to our families, to know our nearby residents by their first names, and find values that are more enduring than a microwave dinner. SeaChange represents balance. Regular viewers will recognise the continuing dilemma of the bridge, which represents not only a link to the outside world, but an ongoing threat to the Pearl Bay way of life. If you like "Hamish Macbeth", the lamented "Northern Exposure", the early series of "Ballykissangel", and "Heartbeat", then you'll love this show (and throw in a dollop of "Rafferty's Rules" and Annie Proulx's novel "The Shipping News"). The future looks rosy for this show, because it is character driven and amenable to a bit of shuffling amongst the ensemble cast, bringing them in and out of focus when plots get a little tedious. There is good reason why it is the ABC's most successful local product. If you're looking for a quirky port in the storm, a place to visit prior to getting back to the Monday morning workaday treadmill, this is the show for you. A real charmer, full of whimsy and the sort of humanity that you won't find in most saccharine imports.
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